GAIDA Festival - EFFE Laureate
Get more insight on GAIDA Festival. Read Simon Mundy's interview with Artistic Director Remigijus Merkelys.
For nearly 30 years Vilnius has hosted this impressive Autumn festival of contemporary music in its mainstream venues. GAIDA has become one of the festivals where composers most want to hear their music and it has been important in cementing the reputation of the Baltic Republics of the EU as leaders in steering the quality and direction of new classical music in the 21st century.
GAIDA has been determined in recent years, though, to make sure this music is enjoyed by more people than the traditional few enthusiasts who usually turn out when a première is on offer. 'We have been lucky with our audiences,' says Artistic Director Remigijus Merkelys, 'and we have worked hard to increase them, especially with young people.'
'About 10 years ago we decided we had to move away from the niche that new music normally finds itself in and become more diverse. We've done that by moving into electronic music of many kinds, performed by big names. The result has been a massive uptake by young people. These days we sell out more than half the concerts.'
The festival takes place in October and November each year. Deliberately Merkelys does not release the details of the full programme long in advance, preferring to drip feed the information so there's something fresh to announce up until a few days before the events begin. However two suitably performances coming up illustrate the range of the next edition: Francesco Tristano, incredibly playing piano, keyboards and live electronics, and the Canadian Inuit throat singer, Tanya Tagaq.
'Mainstream' new music is still the programme core. Composers
have to be at the heart of any new music festival and this year Merkelys has
commissioned, among others, one established Lithuanian composer and one
younger: Algirdas Martinaitis is writing a double concerto (violin and piano)
and Dominykas Digimas is writing a major piece for well-known Lithuanian
When a festival has been held for a generation it is interesting to find out which commissions stick in the Artistic Director's mind as being special. Merkelys cites two very different works. He remembers with pleasure 'a very small but important piece', a cello octet by the late Jonathan Harvey in 2008 and, from two years later, 'our own audio-visual production of Sandglasses by Juste Janulyte, 1-hour long work, that has been an extraordinary success and has been seen all over the world, including Sydney and Paris.'
03 Oct 2019 - 19 Oct 2019
Sofie & Carlo episode 4
Somewhere in Europe a festival is underway. Every day brings a crisis. Somehow the big people in charge only ever arrive at the end. Only the two young interns, Sofie and Carlo, stand between triumph and disaster.
Mother Tongues Festival - EFFE Laureate
Ireland is now a country where many languages are spoken but most in the privacy of homes, not in public. The Mother Tongues Festival tackles that monolingual public space by offering a high quality artistic programme. 'Maybe we are saying these are not foreign languages – it's the way Ireland is now,' says Festival Producer Francesca la Morgia, 'More and more families live in bilingual or trilingual households.'