HIGH FEST International Performing Arts Festivals - EFFE Laureate
Simon Mundy interviews with Festival Director Artur Ghukasyan
Confounding expectations is something that festivals are
designed for and so it should not be surprising, but somehow is, to find one of
Europe's most daring programmes of contemporary dance and radical theatre in
Yerevan. That was the intention, right from the start in 2003, says its
Director, Artur Ghukasyan. 'We began with a company from Avignon doing a piece
of street theatre called Funeral, which involved moving with a coffin
through the city and at one point taking their clothes off and having simulated
sex. We thought it would cause a lot of trouble so we warned the Cathedral, the
city authorities and the police but actually 80% of people loved it – so we
knew we should carry on and every year we have a strong street theatre
In the 15 years Highfest has been held the emphasis has been on work that can show its strength regardless of language. 'With contemporary dance you have no problems,' says Artur. 'You need good tech facilities – lighting, floors, projections – but we have and it's easy to bring. We started with dance, circus, mime but I always said I wanted a multi-form festival and these days new theatre is limitless, working across all art disciplines.'
Artur began his career studying production at the Edinburgh Festival in 1998 and he realised that, even if they started small, the festival could grow into something special. The word high in Armenian means the country itself but Artur says the wordplay with English is deiliberate. 'So it also means Highlands, high mood, high standards and ambition. Now Highfest is a flagship event for Armenia and we have been called the most interesting theatre festival in Eastern Europe outside Moscow. We are trying to create possibilities for audiences to enjoy more complicated cultural experiences, not just relax with what they know already. If you want to relax, go to the sauna.'
For the region Highfest is especially important because Armenia is surrounded by countries with difficult social and political contexts which often limit access to the more challenging arts. 'We don't ask embassies for their recommended artists,' Artur says. 'We are not interested in officially approved shows.' Instead he himself views about 400 productions a year and works with colleagues able to offer something different. 'For example, we have found a producer in Iran who has a long list of young people who want to break down barriers,' and encouragingly (as with Georgia and Russia) Highfest has found that there are plenty of people keen to cross the borders to come and watch.
Note from the EFFE International Jury
This was a very strong application. The general arts festival brings theatre, dance and music to Armenia from an impressive array of countries. It is a cosmopolitan bridge and its focus is on inclusion in a complex context. The openness of the multi-disciplinary festival is not only reflected in its high quality programme but on inclusivity and social sustainability. Their collaboration with women shelters, orphanages and elderly houses in Yerevan is a true inspiration.
01 October 2019 - 10 October 2019 - Yerevan, Armenia
Sofie & Carlo - episode 8
Somewhere in Europe a festival is underway. Every day brings a crisis. Somehow the big people in charge only ever arrive at the end. Only the two young interns, Sofie and Carlo, stand between triumph and disaster.
5 remarkable festivals receive the EFFE Award 2019-2020
5 remarkable festivals receive the EFFE Award 2019-2020, selected by the EFFE International Jury chaired by Sir Jonathan Mills.